The supple movement of a camera can convey a world of emotion, take the viewer on a journey across space and time, and present a panopticon of moving colors that soothe the mind. Wes Anderson has mastered this art, and has managed to captivate a generation of viewers and filmmmakers alike.
From the pastel colors of "The Grand Budapest Hotel", to the dry and saturated deserts of "Asteroid City", Anderson creates worlds that deserve to be seen, and his trademarked dolly allows it's vibrant landscapes to fully immerse the viewer.
In this humble writer's opinion, M. Gustave and the Author from "The Grand Budapest" showcase this most thoroughly and are the stars of Anderson's magnum opus.
In the snowy village of Lutz, a simple camera move allows us into the world of an unnamed author. Later on we see him sitting pensively (😔) within a magnum opus of another sort, the hotel in question. The life's work of Mr. Moustafa aka Zero. The trademark dolly takes us through decades of history, of the hotel, the lives of Moustafa, M. Gustave, and it's many tenants.
The molochian scripture that permeates the film is shown in vivid display through these characters, permeating the nitrate, and our minds. When the luminaries finally show themselves, it is all but too late. Ukraine will be free one day, it is it's destiny, says Anderson. If there's any hope for us, it will be through the bodies of men, "just on the cusp of manhood" as M. Gustave so eloquently puts it.
The destinies of geopolitics are put on full display in the end, calling forth European and world history's many struggles. The struggle between the USA and the USSR, Eastern and Western Europe, and the Global South and North. The destinies of the military industrial complex to liberate mankind has never been so eloquently put.
"Whence came these two radiant, celestial brothers, united for an instant as they crossed the stratosphere of our starry window? One from the East, and one from the West." - M. Gustave
Wow, I loved your analysis Aidan, the connection to Molochian philosophical tradition is at a level only paralleled by the ancient luminaries of the temple of Jaz'rath'khanir the Wiser. However I do interject in which you state that the current state of ukraine follows in the tradition of the age of fire, what is currently arrising in the LPR and DPR is the culmination of the seraphic revisionism of the younger princes of the Molochian realm, and in this regard your analysis goes against both the Andersonian and Molochian artistic and philosophical traditions. 😁✌️cheers!
The supple movement of a camera can convey a world of emotion, take the viewer on a journey across space and time, and present a panopticon of moving colors that soothe the mind. Wes Anderson has mastered this art, and has managed to captivate a generation of viewers and filmmmakers alike.
From the pastel colors of "The Grand Budapest Hotel", to the dry and saturated deserts of "Asteroid City", Anderson creates worlds that deserve to be seen, and his trademarked dolly allows it's vibrant landscapes to fully immerse the viewer.
In this humble writer's opinion, M. Gustave and the Author from "The Grand Budapest" showcase this most thoroughly and are the stars of Anderson's magnum opus.
In the snowy village of Lutz, a simple camera move allows us into the world of an unnamed author. Later on we see him sitting pensively (😔) within a magnum opus of another sort, the hotel in question. The life's work of Mr. Moustafa aka Zero. The trademark dolly takes us through decades of history, of the hotel, the lives of Moustafa, M. Gustave, and it's many tenants.
The molochian scripture that permeates the film is shown in vivid display through these characters, permeating the nitrate, and our minds. When the luminaries finally show themselves, it is all but too late. Ukraine will be free one day, it is it's destiny, says Anderson. If there's any hope for us, it will be through the bodies of men, "just on the cusp of manhood" as M. Gustave so eloquently puts it.
The destinies of geopolitics are put on full display in the end, calling forth European and world history's many struggles. The struggle between the USA and the USSR, Eastern and Western Europe, and the Global South and North. The destinies of the military industrial complex to liberate mankind has never been so eloquently put.
"Whence came these two radiant, celestial brothers, united for an instant as they crossed the stratosphere of our starry window? One from the East, and one from the West." - M. Gustave
Best Wes Anderson Movie?
Tropic Thunder
Trolls 2
La Haine
Barbie of Swan of Lake